One
of the challenges of conducting investigations of paranormal activity
is, of course, determining whether an event is worth investigating.
That's because strange noises are often nothing more than completely
explainable bumps in the night. Occasionally, however, there are
events worth investigating. If there seems to be genuine events, how
does an investigator proceed with an investigation?
This article is, in many ways, a rehearsal in which the reader must
decide: 1) if events are suspicious enough to warrant an investigation;
2) how to construct an investigation (if events are sufficiently suspicious).
The events I will use for this thought experiment are based on an actual
interview with a friend from graduate school who experienced some unusual
events during a stay in Madrid, Spain about 25 years ago. Unfortunately,
the unusual events were never formally investigated. In spite of the
passage of 25 years, however, we have an advantage in that, because
the reported events were never investigated, we can freely play with
what we know about paranormal investigation and match it with a hypothetical
investigation that we base on the past events in Madrid.
Our first step is to quickly form a portrait of the person who reports
possibly paranormal events. This portrait is often enough to discourage
intense efforts that are needed for investigation because, at the end
of the initial interview, it may become apparent that the person who
reports paranormal events doesn't inspire complete credibility. In this
case study I have a distinct advantage in that the person who gives
the report is a trusted personal friend who doesn't appear to embellish
experienced reality. Of course, my word alone should not be enough.
We've got to focus on the facts. The person who reports the phenomena
is a white female (I'll call her S.) who, at the time, was a student
in her twenties who, for a time, studied in Madrid at a university level.
During her stay in Madrid, S. was alone, didn't speak Spanish, and didn't
have many Spanish friends. In spite of her isolation, S. considered
her time in Spain a personal test that she was eager to confront. She
felt confident in her ability to survive. Nonetheless, S. was/is a sensitive
individual.
Since the events in Madrid, S. hasn't had what she'd consider a paranormal
experience. She's avoided telling people about her experiences in Madrid
because she's certain they'll think she's lost her mind. In hindsight,
S. has difficulty dealing with what she experienced in Madrid because
it was, as S. reports, so unusual.. On the whole, S. would rather forget
what she saw and felt. Her willingness to tell me about her experience
in Madrid emerged out of knowledge that I'm interested in investigating
paranormal phenomena.
The events in question deal with a series of sightings and intense feelings
in a two room apartment that S. had rented in Madrid and which, she
claimed, never felt like home. S. didn't share this apartment
with another person. A big bed with a mattress stood on one room. The
other room contained a cot with a metal frame with a mattress-like cushion
covering the metal frame. S. doesn't remember further details about
furnishing because the bed and cot both were the primary focus of paranormal
activity. As S. relates, if she wanted peace, she slept on the couch.
Now that we have a sketchy picture of the environment, it's possible
to elaborate on what happened. First, we need to divide our attention
between the room with the bed and the room with the metal cot.
I'll begin with the bedroom. In short, over a number a weeks, S. occasionally
looked out of bed in an alert dream-like state to see a nun hovering
at the foot of the bed. S. is certain that she was wide awake when she
saw the nun. S. doesn't remember a fluctuation in temperature when the
nun appeared.The nun looked solid, although fuzzy. This nun ressembled
an unclear black-and-white photograph. In spite of fuzziness, it was
possible to tell that the nun was quite stocky. If S. saw the nun move,
the nun moved slowly. The nun didn't speak or gesture, although she
seemed to make noises that sounded much like bumping into furniture.
Rather than being frightened, S. was intensely curious. With every sighting,
she was convinced that she was looking at the impossible. This can't
be happening! S. once asked an acquaintance to spend the night with
her in the bed. The nun didn't appear that night.
The room with the metal cot was a different matter. There were no sightings
(nun or otherwise), but this room was, nonetheless, more unsettling.
S. describes a heavy, constricting quality about the room that was accompanied
by a strong sense of being watched. All S. can say is that there was
a definite presence in the room. The presence was not the nun. It was
something else. This presence felt overwhelming, absolute. It exerted
extreme pressure. S. felt that this presence, like the nun, was completely
external to her body. S. also describes lying on the cot when it began
to shake violently. S. was, once again, incredulous. I asked S. why
she stayed in the apartment. S. replied that she didn't move because
she was mesmerized by the impossibility of the events around her. She
saw the events as another challenge she could face.
In the midst of the strange activity, S. remembers telling herself not
to get carried away. She also remembers coming to the decision one day
to tell the presence/apparition to GO AWAY! It did. S. wasn't bothered
anymore. After the disappearance of the presence/apparition, S. thought
about her experience. She was convinced that she didn't somehow participate
in the sightings. S. emphasized that the images felt completely external
to herself.
Curious about the history of the apartment, S. asked a Spanish-speaking
acquaintance to ask the owners about the history of the apartment. The
owners apparently didn't wish to elaborate in depth about the history,
other than to reveal that someone had indeed died in the apartment.
It was difficult to acquire further information.
With the information that I gave you, the reader, I'd like to know about
the investigation you would propose . . . that is, if you feel that
this story warrants an investigation [note that I didn't embellish the
story as it was told to me]. Assuming you're interested in an investigation,
draw up an action plan. Ask yourself if you really would consider conducting
an investigation in the apartment. Why? Do you merely want to be there
just for the thrills? What would you do if you had to investigate this
apartment? Who would you talk to and what instruments would you use?
Are there weak spots in this story? If so, what are they? What methods
could you use to expose the story as a possible fraud? These are serious
questions that must be answered before any serious investigation can
take place.
©2004
Angela Berquist, Ph.D. All Rights Reserved.
Unauthorized duplication is prohibited.
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